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With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll

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With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll - Hallo friend SMART KIDS, In the article you read this time with the title With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll, we have prepared well for this article you read and download the information therein. hopefully fill posts Article baby, Article care, Article education, Article recipes, we write this you can understand. Well, happy reading.

Title : With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll
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With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll

With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll

In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll


In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll


You may have heard of jalopies
You've heard the noise they make
But let me introduce you to my Rocket '88
Yes it's great, just won't wait
Everybody likes my Rocket '88
Baby we'll ride in style
Movin' all along
V-8 motor and this modern design
Black convertible top and the gals don't mind
Sportin' with me, ridin' all around town for joy
Blow your horn, Raymond blow your horn
"Rocket 88"-- Jackie Brenston and His Delta Cats 1951
"As I was motivatin' over the hill
I saw Maybellene in a coup de ville.
A Cadillac a-rollin' on the open road,
Nothin' will outrun my V8 Ford.
The Cadillac doin' 'bout ninety-five,
She's bumper to bumper rollin' side by side."
"Maybelline"  Chuck Berry, 1955

      One of the most striking aspects of post war rhythm and blues and country music, as well signature songs in the early years of Rock and roll (1954-1964) the prevalence of car imagery, particularly imagery boasting of  cars as objects of personal consumption.   Whether it is  Hank Williams going "Honky tonkin round this town"   or Chuck Berry "Riding around in my automobile, my baby beside me at the wheel" there are literally hundreds of country, R&B and rock and roll songs where racing cars, driving to dates, or impressing a women with a luxury car is a central theme
      The most obvious explanation for this car imagery is the long and deep post war prosperity that put disposable income in the hands of working class as well as middle class Americans, . and allowed CONTINUE READING: With A Brooklyn Accent: In the Shadow of The Great Depression- Car Imagery in Post War Rhythm and Blues Country Music and Early Rock and Roll



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