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Title : On Poetry and Prose: Defining the Undefinable | radical eyes for equity
link : On Poetry and Prose: Defining the Undefinable | radical eyes for equity
On Poetry and Prose: Defining the Undefinable | radical eyes for equity
On Poetry and Prose: Defining the Undefinable | radical eyes for equityOn Poetry and Prose: Defining the Undefinable
As a professor of first-year writing, I spend a good deal of time helping students unpack what they have learned about the essay as a form and about writing in order to set much of that aside and embrace more nuanced and authentic awareness about both.
Teaching writing is also necessarily entangled with teaching reading. In my young adult literature course, then, I often ask students, undergraduate and graduate (many practicing teachers), to do similar unpacking about their assumptions concerning writing and reading.
I have noted before that my first-year students often mangle what I would consider to be very basic labels for writing forms and genres—calling a short prose piece a poem and identifying a play as a novel because they read both in book form.
Because of the ways students have been taught writing to comply with CONTINUE READING: On Poetry and Prose: Defining the Undefinable | radical eyes for equity
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