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Title : NYC Educator: Oversized Music Classes
link : NYC Educator: Oversized Music Classes

NYC Educator: Oversized Music Classes

NYC Educator: Oversized Music Classes

Oversized Music Classes

Last week I went to a class size grievance hearing. There was good news and bad news. The good news is the new process seems to have much improved things. It appears involving the superintendents in the process is a good idea. They tell the principals, their subordinates, to fix the problems and a whole lot of them seem to be doing it. In our school, for example, the only remaining oversized classes were in music.

We had exactly 12 oversized classes. Six were in music performing groups like chorus and band. There is evidently some exception for those classes. I'm sure that bands and choruses can use over 34 members, and I know some music teachers who'd argue the same. I'm not expert on exactly how many voices or instruments you need, but they are, and if they say they need more, they do. The DOE has to rely on an exception, though, and I'd argue if they use it they're still in violation. (I'd further argue that the teachers ought to be compensated in some way for teaching such large groups, even if it's a good idea.)

A more difficult argument is that of the "required music" classes. Required music classes can go up to 50. Why? I don't know. I haven't been around long enough to understand how these rules came about. What genius thought that students, who likely didn't want to take a music class at all, would learn better how to appreciate the arts in classes of 50?

Early in my career, I got bounced to JFK High School as an English teacher. It turned out they didn't need an English teacher, so they made me a music teacher. I taught a few guitar classes, and I also taught a few sections of required music. I had a book about jazz history that I'd been reading, and I made it the textbook. I'll tell you, though, it's a bitch teaching 50 kids at a time. Grading is no picnic either.

How on earth can you successfully encourage an appreciation of music in groups of 50? If you think these classes are worthwhile in any way whatsoever, wouldn't you push back on that? Isn't it plainly cynical to load the kids in like sardines and expect any positive outcome whatsoever? A whole lot of people love music already, whether or not they understand it. There has to be a way to build on that appreciation, to deepen and broaden that appreciation. Anyone who tells you the way to do that is by placing them in classes CONTINUE READING: NYC Educator: Oversized Music Classes

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